Email :eric@sweatersfordragons.com
My knitwear designs are meant to be knittable
and wearable. The designs are inspired by clean lines, classic
silhouettes, and functionality. I consider my designs to be
neo-masculine, manly but with a flare that moves away from
“traditional” designs for men. While color and texture are key
components of these designs, I also embrace the unconventional, the
“knitting no-no’s,” such as cables over dark colors and variegated
yarn in lacework. I want my pieces to force people to take a second,
longer look to the find the subtleties within the design.
My current designs are tending toward seasonal
vests and atypical accessories. The majority of men will not wear
full sweaters, and vests are a viable alternative, with the color
and fiber content changing with the seasons. Scarves and
neckerchiefs can be functional or double as accessories for a more
casual look than a tie.
The process behind my pieces is as interesting,
if not more so, than the pieces themselves. Transforming an artist’s
rendering of colored squares into a piece of sculptural knitting is
as fascinating to me as it is to the viewer. I cannot tell how any
individual piece will turn out until it is completed. Even when the
knitting is finished, the blocking process may change the feel of
the final piece entirely. I would like to challenge myself to find a
way to translate classical paintings into knitted pieces. How, for
example, would Van Gogh’s “The Starry Night” look as knitted
sculpture?
My current pieces are collaborative works.
Other artists render the grid designs which I then translate into
knitted pieces. The grids are pieces of standard graph paper on
which the artists create a rectangular design using only the three
primary and three secondary colors, and black and white. Each color
gets assigned a particular stitch. A knitting chart is then created
from the design and the piece is knitted from the chart. The pieces
are very organic and would only very rarely turn out rectangular. I
may try to render some grids myself, but I am afraid the outcome may
be biased as I know the formula for the translation and how to
balance the stitches so the number of stitches across a row does not
change. I am always looking for new collaborators willing to do a
rendering.